Thursday, February 9, 2012

Freebird, Milli Vanilli and Mr. On'ry Hates Rush

Mr. Lonesome:
So, “Freebird” came on the radio last night when I was driving home from work. And my first reflex was to change the channel. Being such an iconic song, I felt as though I’ve probably heard it enough times. But then I thought “dude, I’m in this car by myself, and no one will ever know that it still gives me chills, and that I’m going to sing it at the top of my lungs with the windows rolled up.” Yes, my inner monologue loves long sentences.

There are a few other songs that hit me in that way, too. “Against the Wind” always gets me. I can’t ever change it. Same with anything by Billy Squire. What songs freeze you that you wouldn’t ordinarily admit to, whether it’s because it is cliché to love it, or because other people would ridicule you relentlessly?


Mr. On’ry:
First of all, unless you weren’t in the mood for something that long why wouldn’t you listen to Freebird or Stairway To Heaven?  Great songs by great bands.  Secondly, what the hell are you doing listening to commercial radio in your car?  What, was the tape deck on the fritz?

I’m pretty open with my guilty pleasure songs – “Linger” by The Cranberries for example.   Who cares what others would think.  Although I will tell you there are songs that I’m just sick of hearing in general – “Sweet Home Alabama” is the perfect example of why I don’t listen to commercial radio at all.  How the hell many times can you play that song in the course of one day!     


Mr. Lonesome:
Well, I was listening to my iPod.

I don’t mind long songs. I love Rush, for love’s sake. I guess I was leaning toward the songs that seem like the upper pantheon, for one reason or another, that I’ve heard people make fun of for liking: “Freebird,” “Stairway to Heaven,” “Hotel California.” As if it was cool to like them at some point, but now it’s a cliché to like them, so if you do listen it’s only to be ironic.

And you get a pass on “Linger.”


Mr. On’ry:
Well Freebird especially has become a whipping boy of songs because every drunk @$$hole and their mother yells for it at every single show I’ve ever been too (p.s. If either of you are ever that guy when we go to a show I will punch you in the mouth.  It’s not funny and it’s not original.  Be forewarned.)

Thanks for the pass on “Linger”…you however unfortunately do not get a pass on Rush because they suck.


Mr. Lonesome:
It’s a weird mob mentality. When something is that good, you must eventually dislike it. “Stairway” gets mocked in guitar shops, “Freebird” at concerts. I mean, if it’s good it’s good. Never understood why the human brain needs to curve away from that.

Though I do confess to selling my Milli Vanilli cd after the scandal. What I wouldn’t do for a little “Girl You Know It’s True” every now and then.

Also, Rush is awesome. But a band so polarized they need their own thread. We could literally spend hours arguing about them.


Mr. On’ry:
If I was standing next to you right now and you admitted out loud to even liking Milli Vanilli, let alone owning it, I would probably just walk away from you without saying a word and shun you for the rest of the day.  Just saying.  (And not because of the lip syncing thing but because they were awful.  Just awful.  I mean really, really awful.)

I’ll save Rush for another day.  Or until Mr. Mean shows up because I’m sure he’ll start telling me how godly Rush is and why I’m so foolish not to worship them. 


Mr. Lonesome:
In all fairness, I owned the CD the summer before 9th grade. Um. I owned A LOT of bad pop music in those days (which I’ve successfully transferred to my iPod – score!). But I appreciate you veering from the thought of physical violence.


Mr. On’ry:
Dude the summer before 9th grade for me was 1989.  I was already a few years into my love of all things metal.  So…if we had gone to school together I probably would have made fun of you. 

Mr. Mean:
First of all, Rush is awesome. Mr. On’ry is really Mr. Stupid for thinking otherwise. I know people who are pro-Canada and anti-Rush. I always demand that they turn in their Canuck Diner’s Club cards because they don’t deserve them anymore. Synth-era Rush (1980-1987) is my favorite. “Subdivisions” gives me chills every single time I hear it.

Commercial radio…hear hear to the Billy Squier. I love the guy. Huge drum sound, balls out rocknroll. I am sick to death of songs like “Freebird” and “Sweet Home Alabama” for the reasons discussed here: they are played way too much. Why the hell isn’t “Simple Man” or “Saturday Night Special” played more often?  Boston’s “Smokin’” came on the radio this morning and I immediately thought about how sick I am that every FM station overplays that debut album something fierce. “Stairway” is great, and I still listen to it, but dudes, I cannot take much more of Led Zep IV. Play effing “Communication Breakdown” for pete’s sake!

Mr. On’ry:
There’s my boy!  Totally agree on your Skynyrd point.  Hell I’d rather hear “Gimme Three Steps” or “That Smell” over Sweet Home Alabama at this point. 

Ha!  This guy loves horrible, synth-laden, crappy Euro dance music and even he still thinks Milli Vanilli sucks. 

I’ll say it again.  Rush sucks.  If you’re talking Canadian rock bands I’d take The Guess Who over Rush, that’s how much I hate them.   


Mr. Mean:
At least you didn’t say BTO over Rush. I’d knife you.

I don’t mind Messrs Fab and Rob for nostalgia purposes, but if I am thinking ’88 or ’89, it’s more akin to Happy Mondays and New Order than freakin’ MV.


Mr. Lonesome:
“Subdivisions” is a top 5 song of all time. We can discuss that in a thread.

I’m the same with most of my 80s pop love, it’s so very nostalgic that I can’t seem to let go. ’85 – ’89 specifically strikes a loving chord.

Also, BTO is on my least favorite bands ever list. They are WAY up there. Not one thing redeeming except for their connection to the Guess Who. And I’ll take Gordon Lightfoot over them both. Dude had swagger. Also, Triumph. Rik Emmet was an amazing guitarist. But they are all children compared to Rush.


Mr. Mean:
Triumph kicked some major butt. “Spellbound” is such a scorcher dude!

Mr. Lonesome:
“Lay It On the Line” is better than anything from the Guess Who.

Mr. On’ry:
Well I’ll take Triumph over Rush but only because that should prove to you how much I hate Rush.   

Mr. Lonesome:
Weird, cos Rush only says nice things about you.

9 comments:

  1. Ok, I am in Spain and very jetlagged, but 1. Please do not diss the Guess Who, Mr. Lonesome if you ever want to get any action again and, 2. I hate synth, Mr. Mean, but I think it is pretty crazy to say that Rush sucks, Mr. On'ry. Even if you are not a fan you must, must appreciate their musical talents, except for poor Geddy's grating voice. But he seems like a really nice guy. Oh, and I also returned my Milli Vanilli CD after the scandal and kind of wish I didn't. Girl, you know it's true.

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    1. Mr. On'ry will be defending his position in an upcoming post. That is all. (p.s. Thanks for reading!)

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    2. um. the guess who is awesome. also - "I will never die"

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  2. Let’s get to the heart of why Rush either sucks or doesn’t suck, shall we?

    Depending on how much each of these factors means to you, I believe you’re likely to fall on one side or the other.

    Pros: They have been hugely successful as recording and touring artists. Moving Pictures. Permanent Waves. Half of Signals. “Subdivisions.” “I Think I’m Going Bald.” “The Big Money.” Alex Lifeson’s guitar solo on “Tom Sawyer.” Neil Peart’s drumming on everything. They are a trio, which makes them super tight and compact, like a mobile attack unit. They don’t take themselves too seriously. Geddy’s bass playing. “The Spirit of Radio.” “Closer to the Heart” (especially beginning around two minutes in). Their appearance on the Colbert Report. They were able to make the jump into the video era without losing too much credibility. They have always been hugely independent. “By-Tor and the Snow Dog.” “Grace Under Pressure.” The years 1976-1984.

    Cons: Growing up, fans I knew who were inclined to like AC/DC hated Rush, because, with the exception of Neil Peart, they were boring onstage. They have never been considered good looking. They’re Canadian. They are a trio, which makes them resort to musical nerdery (playing multiple instruments at once, using bass pedals, Peart’s clownishly extended drum kit). They’ve released too many concert DVDs, many of which cover the same ground. Geddy Lee’s voice. Hold Your Fire (and most of the 80s and 90s). Caress of Steel. The years 1985-2012. The years 1974-75. Presto. The video for “The Big Money.” The video for “Subdivisions.” In fact, ALL the videos (except maybe the Moving Pictures ones). Simmons electronic drums.

    Neutral: They play their instruments very, very well (I think that’s a “pro,” but I recognize it leaves others very, very cold). Neil Peart’s lyrics are surprisingly good on some songs, not so great on others. The Rock and Roll Hall of Fame hates them (and most other prog-rock bands). Neil Peart drum solos. Geddy’s sunglasses and the fact that he uses a DI box (not an amp) when they play live. The covers album they did (I kinda liked “The Seeker”). The fact that they’re still playing.

    That’s a rough outline. Hack away as needed.

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    1. I seriously couldnt have said this better myself! Rush polarizes music fans like no other band I know. and perfect insight on Peart's lyrics. some mesmerize. others make me cringe.

      A few quick points:

      Counterparts is an excellent album
      I love The Fountain of Lamneth
      Their cover of The Yardbird's tune is awesome
      Their new tune, Caravan, is off the charts
      My wife took me to see their last tour, and she actually enjoyed it!

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  3. Why does no-one mention "Presto"?! it was awesome! "The Pass" is one of the greatest Rush songs ever!
    .... the Fu@kin Cranberries give me the RAGE! A poor man's Smiths. I'll never forgive Dolores whatshername for the horrendous "Zombie"... to whoever she its singing about, please take your tanks and you guns and your bombs and blow up their rehearsal space!

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    1. Presto was pretty good. "Show Don't Tell" was their best single since "Distant Early Warning".

      Zombie is total shit. Agreed.

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    2. another ridiculous claim. "Red Sector A" was awesome, and "Time Stand Still" was a great, albeit poppy, single.

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